Organ Specifications

Saint Clement’s Organ – A Brief History & Specifications

The first organ at S. Clement’s Church  was built in 1854 by J. C. B. Standbridge, of Philadelphia. Originally designed for the Harmonia Sacred Music Society, it contained 4 manuals and 68 ranks; the instrument was relocated to Saint Clement’s when the society was disbanded.

Although the church’s architect, John Notman, included a large space in the front left of the church (where half the present organ is situated), he notes, in the church’s consecration booklet of 12 April 1865, “an organ gallery in the west end”. It seems likely that the first organ was installed in a back gallery, long since removed.

The second organ was Hilborne L. Roosevelt’s opus 125, built in 1883. This instrument was smaller in size: 3 manuals, 44 ranks, and incorporated some of the Standbridge pipework.

In 1914, the Austin Organ Company was contracted to build a new organ for the church, in consultation with Mr. Henry Fry, organist of Saint Clement’s. This instrument, Austin’s opus 507, was installed at a cost of $11,900, incorporating much of the Roosevelt, and, therefore, some original Standbridge pipework. Mr. Fry’s contractual requirements included ‘Swell boxes of double construction, 3 1/2 inches thick’, rendering a more effective crescendo/diminuendo of the enclosed pipe voices. Mr. Fry performed the first recital on 16 December 1914.

In 1948, a new Austin console was installed, and some tonal changes were made; additional tonal ‘modernizations’ occurred in the 1960’s. With the exception of a few new voices, the instrument is now restored to its original 1914 specification, using vintage Austin pipework wherever possible. Several orchestral voices, including a French Horn (E.M. Skinner) have been added to the specification.

A comprehensive restoration project, completed in 1997, involved several fine craftsmen: Samuel H. Hughes (reed voices restoration), Steven Emery (mechanical restoration and tuning), Robert Wuestoff/Fritzsche Organ Co. (chamber and pipe cleaning), Bynum Petty (Choir Organ pipework revoicing) and Bob Schopp (Façade refinishing and Trumpets En Chamade).

The restoration was capped off with the installation of a new console built by Roger Colby, of Johnson City, TN. Saint Clement’s gratefully acknowledges the generosity of Suzie Williamson, who underwrote the cost of this restoration.


Austin Organ Co., Hartford, CT, Opus 507, 1914
Four Manuals, 51 Ranks

GREAT (61 notes) 
Double Diapason 16
First Diapason 8
Second Diapason 8
Harmonic Flute 8
Violincello* 8
Cello Celeste* (cc)
Octave 4
Fifteenth 2
Mixture* (4 rks.)
French Horn* 8
Trumpet* 8
Trumpet En Chamade
* enclosed in Choir Box

CHOIR (enclosed, 73 notes)
Double Dulciana 16
Geigen Diapason 8
Concert Flute 8
Violin 8
Dulciana 8
Unda Maris (tc)
Dulcets (2 rks.)
Forest Flute 4
Gambette 4
Clarinet 8
English Horn 8
English Horn Tremolo
Harp 8
Trumpet En Chamade

SOLO (enclosed, 73 notes) 
Grand Diapason 8
Major Flute 8
Grand Gamba 8
Gamba Celeste (cc)
Orchestral Oboe 8
Tuba 8
Trumpet En Chamade

SWELL (enclosed, 73 notes) 
Bourdon 16
Open Diapason 8
Stopped Diapason 8
Melodia 8
Bois Celeste (tc)
Viola 8
Viola Celeste (cc) 8
Orchestral Celeste 8 (2 rks.)
Octave 4
Harmonic Flute 4
Flautino 2
Mixture (3 rks.)
Double Oboe 16
Cornopean 8
Oboe 8
Vox Humana 8
Oboe Clarion 4
Trumpet En Chamade

PEDAL (32 notes)
Contra Violone 32
Contra Bourdon 32
First Diapason 16
Second Diapason 16
Metal Diapason 16 (Gt.)
First Violone 16
Second Violone 16
Bourdon 16
Soft Bourdon 16 (Sw.)
Dulciana 16 (Ch.)
Octave 8 (ext.)
Geigen Diapason 8
Flute 8
Soft Flute 8 (Sw.)
Viola 8 (Sw.)
Octave Flute 4 (Gt.)
Ophecleide 32
Trombone 16 (So.)
Double Oboe 16 (Sw.)
Tuba 8 (So.)
Oboe 8 (Sw.)
Trumpet En Chamade



Diapason 8′
Muted Violes 8′
Orchestral Flute 8′
Traverse Flute 4′
Capped Oboe 8′
Vox Humana 8′

Echo Pedal Violone 16′
Echo to Pedal


Full Complement of standard couplers
Pedal Divide
Pedal to Great
Great/Choir transfer
160 level combination action
20 General Pistons (1-10 Duplicated in Toe Studs)
7 Divisional Pistons to all Divisions
2 Divisional Toe Studs to Swell, Great and Solo
3 Pedal Divisional Toe Studs
Manual to Pedal Divisional Pistons Coupler, for each Division
Piston Sequencer, with full complement of ‘NEXT’ and ‘PREVIOUS’ pistons
Expression ‘thumb slides’ under each manual
2 adjustable Crescendo sequences
Settable Tutti (for each memory level)
Roland Sequencer (for Record/Playback)

10 General pistons (duplicating main console settings)
Bass Coupler (Pedal Organ on lowest note played)
Treble Coupler (Solo Organ on highest note played)
Expression ‘thumb slide’


Saint John’s Chapel Organ –  A Brief History & Specifications

Restored in St. John’s Chapel, 2011)

The M. P. Möller company of Hagerstown, Maryland built opus 6136 for the now-defunct Church of St. Paul the Apostle, a mission church of Old St. Paul’s Church Baltimore. The tonal designer of this organ was Richard O. Whitelegg, who came to the Möller Organ Company in 1931 from the noted British firm Henry Willis and Sons Ltd. His voicing can be heard at Liverpool (Anglican) and Westminster Cathedrals.

Sadly, all but a few Whitelegg-era Möller organs have disappeared or are no longer intact. Opus 6136 was built in 1933, and represents the very high quality of artistry that marked Mr. Whitelegg’s tenure. Saint Clement’s is extremely fortunate to have this elegant organ, and gratefully acknowledges the generous gift from the Wyncote Foundation as recommended by Frederick R. Haas that has made the installation and restoration possible.  We also are grateful for the considerable efforts of Messrs. Bard Wickkiser and Rick Tomlinson, both of Baltimore, who were able to secure this historic instrument from certain demolition.


M. P. Möller Organ Co., Hagerstown, MD, Opus 6136, 1933
Two Manuals, 15 Ranks

GREAT (enclosed, 73 notes) 
Open Diapason 8
Clarabella 8
Concert Flute 8
Dulciana 8
Octave 4
Flute Harmonic 4 (ext.)
Fifteenth 2
Mixture (3 rks.)
Cornopean 8

SWELL (enclosed, 73 notes)
Bourdon 16
Geigen Principal 8
Stopped Diapason 8 (ext.)
Salicional 8
Voix Celeste (tc)
Orchestral Flute 4 (ext.)
Salicet 4 (ext.)
Flute Twelfth (ext.)
Piccolo 2 (ext.)
Oboe 8
Vox Humana 8

PEDAL (32 notes) 
Diapason 16 (Gt.)
Bourdon 16
Lieblich Gedeckt 16 (Sw.)
Flute Major 8 (ext.)
Dolce Flute 8 (Sw.)